Mr. Faceless

graveng:

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peppino. behind you…….peppino look behind you p.eppINO

bog-teeth:

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harry du bois but make him a smile for me character

naillykej:

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sometimes i think about the fact that this scene is actual TEXT and completely lose my shit

pietmeon:

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Cardioverse mi vida

pietmeon:

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Cardioverse mi vida

57sfinest:

actually i do want to make this a post. it’s so interesting to think about harry from other people’s perspectives, especially if they’re people who were around him before martinaise. because the thing about harry is: he’s a spectacle. there is not a single person left to him who genuinely *cares*. but there are people who take an interest for interest’s sake. harry is the car crash that people can’t look away from, and it’s such a rich lens to view him through.

let’s exclude jean, judit and trant because there’s already enough you can say about them as the sole remaining members of the major crimes unit. think of the other officers who worked at the 41st. whether they worked in c-wing with him or not, they were exposed to him. they had to be around him in some capacity. as a lieutenant, he was “responsible” (i use that term loosely) for overseeing a number of subordinates under the rank system. 

like put yourself in the shoes of a patrol officer at the 41st. you know harry as, in a word, unstable. a deeply unreliable man of extremes with alarmingly few personal attachments to keep him in check. he’s also practically untouchable as long as he keeps getting results, which he does, at a cost. so there’s never any point in formally complaining about him- he’s never going to be corrected or fired, so you just do one of the following: 1) keep your mouth shut (if you’re polite or playing it safe), 2) only bitch about him out of earshot (if you’ve got something to say but you’re nonconfrontational), 3) start shit with him but in a “playful” way that is secretly sincere (if you’re ballsy/have known him long enough), 4) or start shit with him for real (if you’re jean, or have a death wish). 

and the thing about the last two of those options- *especially the 3rd, which seems to be the favorite of his fellow C-wingers*- you have to know him VERY WELL to pull it off without ostensibly getting your nose broken (or worse). you have to know his moods and his triggers and what exact cocktail of bullshit he’s displaying that day so you know where the line is for this particular shift. whoever figures it out first passes it along to everyone else- hey, you can fuck with him about dating today, but don’t bring up the drinking or last week’s case or he’ll go ballistic. and it’s just like… he’s a specimen. you may not know him on a personal heart-to-heart level, but you know him the way a zookeeper knows their tigers, or the way the falconer knows their hawk. you know when to feed and when to back away with your arms up. it doesn’t make things better, but it stops them getting worse. (for you, anyway).

then martinaise happens and if he comes back- his instability is still there, but it’s not the same. you don’t recognize the way he’s acting. maybe some things are not as bad as before, but all of it is different and it’s impossible to get a read on it. you have no idea how to approach him now, or if you should approach him at all. there’s a new layer to his unreliability and it’s somehow even scarier than before. there’s a tiny tiny calm in his storm, finally, and you don’t know when it’s going to break or what’s going to break it. you hear he’s finally actually kicking the booze and maybe you just scoff and move on, or maybe you let yourself root for him. really it all depends on how long you’ve known him, how many times you’ve seen him *try*. how sympathetic you are to his conditions and how patient of a person you are. how many times he’s hurt you (because that number is rarely going to be zero). no matter what, you’re going to be left wondering. you don’t know how much of him is gone. you don’t know how much is going to come back. you’re not sure how much of each you *want*.

a-french-guardsman:

Figurine of Ltn. Harrier Dubois from Disco Elysium

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57sfinest:

calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.

in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.

but in the context of his personal life you kind of… flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open. 

and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.

ceo-of-sloppy-men:

I could be wrong but what if part of the reason Kim is so ready to accept a transfer to precinct 41 is because no one from his station came to check up on him either?

I could be forgetting something but I also could be on to something. Correct me if I’m wrong.

ontologicalsynaesthesia:

I don’t think this connection is ever explicitly made in the game, but The Expression has got to be at least partially the result of Harry’s partial paralysis from polio, right? We know he mostly recovered, but it still affects his face enough to impact his speech.

Anyway I like to make myself sad by thinking about Harry not quite being able to emote in a socially acceptable way his whole life, and how that must have impacted how he comes off to the people around him. No wonder he grew a mustache that hides a lot of his face, and tried to pick up Guillaume Le Million’s famous charming (?) smile and just kinda stuck with that for decades.